A personal essay by Josh Menden
I miss it, I crave it. I ache to possess something that is truly unpossessable, to be at once familiar and in awe of something of which I am largely ignorant. Can I ever learn to capture innocence like I did as a child?
When I was younger — maybe six or seven — I used to watch the sunlight pour into my bedroom through the window. It fascinated me: at once linear and amorphous, the way it split haphazardly in
distorted shapes on my navy blue bunk bed and shag carpet floor, how it sheared straight, distinct lines of darkness, mangled occasionally by an impeding object or moving limb. Staring at the trapezoids and triangles etched in light convinced me that the light itself was wholly tangible, graspable, touchable.
In the intermediate space, between the window and the floor, the incoming sunlight illuminated little specks of dust as they floated randomly through the air, reappearing and disappearing as they flirted with the divide between light and dark. The way they floated, so random and free, visible only within the box of sunlight — it dawned on me: I was witnessing rays of light. Not some nebulous stream of light, nor the feeling and notion of light as I now understand it, but actual rays of light: those particles, those little specks, were themselves the rays, and I was watching as they entered my bedroom.